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Do you sometimes feel like your vision for a film is lost in translation? It can be a frustrating experience, but one that can be avoided (or at least minimised). Before you move on to more advanced video transitions or animatics, a solid understanding of storyboarding fundamentals will take you a long way.

Armed with a working knowledge of camera shots, angles, and perspective techniques, you’ll be well on your way to creating easy-to-read storyboards, which communicate your vision as you intended it. To that end, we've pulled together 16 camera moves and shot types to give your storyboarding vocabulary a boost.

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Close shot

With a close shot, the subject’s head/face takes up the majority of the frame and therefore, allows their reactions and emotions to dictate the scene. The subject becomes the prominent focus and helps the audience build a personal connection, without being distracted by background interferences.

Extreme close shot

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An extreme close shot is so close that only one specific detail, such as a person’s eyes or mouth, can be seen. Because of the unnaturally close nature of the shot, it should be used sparingly, but when used appropriately, an ECS can be incredibly effective at adding drama to a scene. It allows the viewer to see details that may have otherwise gone unnoticed and can really accentuate the emotions that the subject is experiencing.

Up shot

An up shot is taken from below the eye-level of the subject and creates the perception that the viewer is looking at them from a lower perspective. This type of shot can give the impression that the subject is in some way powerful, heroic or even dangerous.

Down shot

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A down shot, in contrast to an up shot, is taken from above the eye-level of the subject and can make the subject seem vulnerable or powerless.

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Over the shoulder shot

This type of shot is taken from behind the shoulder of another character and typically frames the subject in a medium or close shot. It is particularly effective in group conversation scenes and helps establish which characters are speaking to each other.

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Two shot

A two shot presents two characters together within the same frame. It’s a natural means of introducing both people and can be used to shed light on their relationship with one another. Different variations of the two shot can be applied to deliver different messages about the characters. For example, when characters are positioned next to each other, it may give the impression that they have equal prominence within the scene.

Point of view shot

The point of view shot, also known as the POV shot, depicts an angle that shows what a character is looking at. This type of shot allows the viewer to take on the perspective of the character and begin to understand their state of mind on a more personal level.

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Applying this to your storyboards

While a picture often speaks a thousand words, being precise with your language can really make the difference when it comes to storyboarding. Keep it simple yet specific, and you’ll be on track to a brilliant animatic and beyond.

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What are some of your favourite shots to work with? Ever had an experience of ideas getting lost in translation? Tell us about them in the comments.